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Kaffeine Buzz
reviews independent and foreign films,
in addition to reporting the latest buzz behind
Colorado's film festivals.
fahrenheit 9/11 (michael
moore)
There are staunch conservatives and Republicans
that are already rallying against this movie site
unseen, and for good reason. One can expect that
their scared of losing control of the White House.
Of those that were on the fence and were part
of a focus group in Michigan, they left with their
minds more than made up that Bush was not going
to receive their vote for president. "We
found that if you entered the theater on the fence,
you fell off it somewhere during those two hours,"
Moore told the New York Times. "It ignites
a fire in people who had given up."
After I left the Mayan Theater, the misty, rainy
day met my mood of immense anger, frustration,
and sadness, much like the day when the two towers
fell. Academy Award-winning filmmaker Michael
Moore's new film fills in the blanks left by the
national media's neglect in finding out the real
facts behind the Bush administration's role in
the war in Iraq, his family's ongoing business
relationship with Saudi royals, and his friend's
role in making money off of the war itself.
The movie begins with what could have been a
dream, or a nightmare, is how Bush even got his
boot in the oval office, and how protesters retaliated
by throwing eggs and taking to the streets with
signs of anger, which did not enable him to make
the traditional walk to the White House.
As opposed to other Moore films, his narration
is his biggest presence in the film, and he uses
tact when taking us back to that day in September.
Leaving just a black screen with the sounds of
people in utter panic, he allows us to use our
own visualizations via what is already etched
in our brain.
There are the typical Moore-like antics that
combine with facts many of us don't know, like
those in congress rarely read the bills they're
signing, like the Patriot Act. So as a courtesy,
Moore gets an ice cream truck and reads the Patriot
Act to the politicians mulling around. They also
film the mother of a fallen soldier who has been
a patriot her whole life, flies a flag in front
of her house on a daily basis, and is torn apart
as she stands in front of the White House in pain.
Here anger and sorrow was felt throughout the
theater as she gazed across the fenced area, wondering
why our president started a war with no clear
reason behind it, and as a result, her son is
gone to her forever. It also points out being
against the war is not being against the troops.
It is our patriotism and love for human life,
the lives of our men and women, which cause us
to raise our fists in anger every time another
soldier is killed without a real cause or reason.
We have to ask ourselves, "What are they
dying for?" just as other Americans did back
in the days of Vietnam.
The 1.4 billion in Saudi money that's connected
to the Bush family's fortune is one of the biggest
issues that are brought to light, from the fact
that 15 of the 19 hijackers were Saudis but the
we went and bombed Iraq instead, 25 Saudis getting
flights out of the U.S. just days after 9/11 and
without any questioning, Saudi money that funded
Al Qaeda, the bin Laden family's investments in
Bush companies such as Harken, and that a long
time buddy of Bush, James R Bath managed the money
for the bin Laden family. After president Bush
restricted many efforts made to investigate the
9/11 bombings and then censored 28 pages of a
report that was finally released, families of
those who died sued the bin Laden family, and
it was James R. Bath who was hired to defend the
Saudi royals.
The facts continue stacking up, and with every
piece of evidence of Bush's abuse of his position,
his obvious disregard for truth and integrity,
the millions of dollars being made in the Iraqi
war by companies Halliburton, United Defense (237
million) and even Microsoft, and his utter buffoon
like antics such as continuing to read "My
Pet Goat" to school children after the first
plane hit, and the second, one has to again ask
why an independent filmmaker is bringing us this
information and not CBS or CNN. Maybe another
film needs to be done on what really goes on behind
studio doors.
MoveOn.org will be present at
theaters across the country to promote MoveOn
"Turn Up The Heat" national town meetings
where local advocates and citizens will discuss
the movie, their thoughts on the upcoming election
and get a chance to ask question of Michael Moore
who will be available via an Internet based conference
call.
For more information on the movie, go to:
www.michaelmoore.com
For more information on attending a town meeting,
go to:
http://action.moveon.org/f911/?zip=
Fahrenheit 9/11 is playing in Denver at the Mayan.
Go to www.landmarktheaters.com
for show times.
-by Kim Owens, June 24, 2004
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