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Kaffeine Buzz
reviews independent and foreign films,
in addition to reporting the latest buzz behind
Colorado's film festivals.
Howl’s Moving Castle (Hayao
Miyazak)
Studio Ghibli and Walt Disney Pictures
Studio Ghibi is Japan’s
premier animation studio, having given the world
such pictures as Nausicaa, Kiki’s Delivery
Service, Spirited Away, and the great feature
Princess Mononoke. Helmed by the always impressive
and legendary director/writer Hayao Miyazaki,
Ghibli continues their trend of visionary fantasy
with the stylish, though not excessively detailed,
Howl’s Moving Castle.
Adopted from the book of the same name by Diana
Wynne Jones, the story is a typical one for the
studio. An out of place, teenage girl ( Sophie;
voiced for American audiences by Jean Simmons)
is swept into a magical world fraught with peril
and wonderment, due entirely to forces beyond
her control (think Alice and the Looking Glass).
In this case, Sophie—a meek hat maker following
in her father’s footsteps—is transformed
into an old women by the Witch of the Waste and
thrown into the dizzying confusion that is the
life of Howl (the princely magician with a dark
secret, who is voiced by Christian Bale—no
doubt prepping for his upcoming duality as the
dark knight). The rumor about Sophie’s small
town is that Howl eats the hearts of young girls,
which, now that she’s an old lady, doesn’t
move Sophie too much.
However, the truth of the matter is a little
more interesting; having had a spell cast on him
as a young man—and being some what of a
coward—Howl remains on the run in his Dr.
Who styled castle powered by the extremely humorous
fire demon, Calcifer (voiced by Billy Crystal),
to whom he is inextricably tied. Along for the
ride is also Howl’s apprentice, a sweet
and crafty young boy, who could really use a woman’s
hand in his life.
The story boasts a grand imagination, more of
design than content, which encompasses a scarecrow
(The Wizard of Oz), a vast war of the kingdom
(Star Wars), and more action sequences than a
typical summer blockbuster. Through it all romance
blossoms between Sophie and Howl, Sophie blooms
into the strong woman she was meant to be, and
the other multiple storylines find a tidy finale.
Filled with humor and the scene stealing Billy
Crystal, this is a gem of a picture, and more
epic than previous Ghibli productions. See it
if you are a fan of Anime, curious about Asian
cinema, or just like cartoons. Don’t see
it if you are sick to death of sappy romance stuff
coming from Disney.
www.studioghibli.com
www.waltdisney.com
www.landmarktheaters.com
By D Tha Man, June 10, 2005
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