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Kaffeine Buzz
reviews independent and foreign films,
in addition to reporting the latest buzz behind
Colorado's film festivals.
Reel Paradise (Steve James)
When it comes to the hot list within the independent
film community, John Pierson is the man known
for his involvement in the careers of Spike Lee,
Mike Smith and Richard Linklater. After moving
into his own show on IFC Split Screen, he wanted
to turn a page and enter the next chapter of his
life.
For John, even the indie film world got as hyped
up and artificial as mainstream Hollywood and
he got bored with the whole scene. Looking to
escape without completely cutting the film umbilical
chord, he set out with his family to Fiji and
the 180 Meridian Cinema, named after it’s
location on the border of an international timezone,
venturing into a year long journey where escapism
and discovery overlapped.
Opening up the previously abandoned theater,
John jumps monetary boundaries by showing independent
films for free, something that brought in a whole
new population from the island of Taveuni. For
him, his joy was watching the people watching
the movies in their own way; screaming and laughing
with abandon. Where he struggles is letting go
of his day to day habits that we all have, such
as living by the clock. He also experiences the
conflict with the religious power the Catholic
Church has on the locals and their fight against
his efforts. After enduring their conspiracy tactics
and falsely created rumors to taint his name,
he not observes them as hypocrites and vows to
never speak to another priest or nun ever again.
Initially his wife Janet was reluctant, coming
from a New Yorker lifestyle and being used to
having something as expected as Internet access.
Not soon after arrival she actually acclimates
to the easy going nature of Taveuni’s people,
integrating herself into their society and realizing
that her initial reaction to their lifestyle as
living in poverty was quite the opposite. They
have everything they need by fishing and cooking
in the way that’s worked for them for hundreds
of years; it just differs from our more modern
ways.
Their two children, Georgia and Wyatt, also embrace
the people of Fiji by befriending their schoolmates
at a Catholic High School. More time is spent
on Georgia as she stretches her teenage muscles,
defying her parents on a continual basis and receiving
increased attention as an American girl. But she
shows one moment of clarity, realizing this world
outside of her own by comparing where she was
living to that of her friends who know of nothing
beyond the mall and getting their nails done.
Over dinner Wyatt debates his father’s
movie choices with a level of confidence closer
to one of John’s equals as opposed to the
role of a son. Towards the end of their year he
contemplates their time in Fiji and how his father
may have read the books on this country’s
culture, but did little to absorb it, either by
learning the language or getting involved to the
level that others did in the family.
Reel Paradise not only delves into the dynamic
of today’s American family, but how American’s
themselves are able to adjust their habits and
expectations to more foreign ways of life and
learn from them.
The last part of the triangle is the discovery
of how movies impact any culture and its people.
Janet brought this to light with her belief that
movies are a form of group hypnosis, where people
sit in the dark with all their attention focused
on the screen and are affected by the images and
experiences they see, hear and feel.
www.reelparadise.com
-Kim Owens, December 9, 2005
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