Written by Sarah Jaffe Wednesday, 05 July 2006 00:00
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The album's best song is in Russian, and I had a Lithuanian friend attempt to translate it for me. But we got bored with that and just decided to enjoy it. The record's sound ranges from sugar-headachy candy pop to Raveonettes-lite ghostly retro rock, gypsyish in places with more complex guitars and psychedelic keyboards in others, but for the most part, it's infected with that same mediocrity that I've come to expect from major label releases--no risks (aside from the song in Russian), nothing really to say, and enough sweetness to stick in your throat like too much cotton candy.
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