The Chain Gang of 1974 --
playing Sunday, Sept 14, 1:30PM, GigBot Stage
As the saying goes, if you want
something done right, you have to do it yourself.
This has been the mantra of a Denver musical entity,
The Chain Gang of 1974, an electro
rock gang-of-one with Kamtin Mohager
at the helm.
In just 18 months, Kamtin has grown his Gang’s
presence from a start-up solo act, featuring himself,
a bass guitar and prerecorded backing tracks,
into a viable music machine to be reckoned with.
A strong vision, belief in the songs he was creating
and a DIY work ethic has led to over 160 shows,
which is more than half of what was done by his
previous alt rock band, The Vanity,
during its year and a half run.MORE
Foals - Playing Monolith
- Saturday, Sept 13, 2pm - Esurance Main Stage
Stemming from the strangest of
self-proclaimed influences such as tennis’
Andy Roddick, minimalism, and chemistry, Oxford,
England’s Foals might describe
themselves as “mathletes.”
“What is a mathlete” you might ask,
it’s something that doesn’t really
seem to make sense until you listen to the album,
Antidotes. If dancing
can be considered athletic and you’re dancing
to math-rock, then you might be considered a mathlete.
Antidotes was recorded with TV on the
Radio’s guitarist and producer David Sitek.
Front man Yannis Philippakis
was warned by Sitek that he wasn’t interested
in making a “glossy pop album.” Little
did anybody know that Foals had Antidotes
up its sleeve.MORE
Pop Levi - Playing Monolith
- Saturday, Sept 13, 7:10PM - WOXY.COM Stage
To confine Pop Levi to one genre
would be severely underestimating his sound. With
sound references as diverse and obscure as Michael
Jackson, Little Richard, The Beatles, The Flaming
Lips, Jimi Hendrix, 80’s pop, 70’s
rock and the entire disco era, Pop Levi
dances across genre lines with grace and elegance.
In his hometown of Liverpool, England, Pop Levi
has found a niche for himself in blurring the
lines of artistic titles and musical styles. Also
an accomplished filmmaker, Levi has surrounded
himself with a broad and diverse world of art.
Never Never Love (Counter
Records) is the second release of Pop Levi following
the BBC acclaimed The Return to Form
Black Magick Party. Lyrically, Never
Never Love will have your head spinning in an
attempt to comprehend. Perhaps it’s just
too high art for this writer to absorb, but it
comes off as a randomly generated word compilation.MORE
Atmosphere - Playing Monolith
- Sept 13, 9:45PM - New Belgium Stage
Atmosphere’s Sean
Daly, AKA Slug, proved
his wily, clandestine, and flatly, bare-bones
promotional campaign for When Life
Gives You Lemons, You Paint That Shit Gold
a pure act of genius, dropping the album straight
into number five on the charts on it’s release
date (April 22, 2008).
Daly dictated a frustrating and
elusive promotional campaign that allowed absolutely
zero promotional copies of When Life… to
be released—not even to his own publicist,
who had to fly to New York City and sit in on
a private listening session in a bar. That session,
another the same in Los Angeles, and one at the
top of the Hilton in Austin Texas were the only
opportunities anyone got to here the record prior
to it’s drop; and this is precisely why
you are reading reviews of the album a week after
it’s release rather than a week prior. Most
publications had no idea what to review. But clearly
the public did.MORE
Morning Benders - Playing
Monolith - Sept 13, 2:30PM - GigBot Stage - Treasure
Island - Sunday, Sept 21
Having
only seen their name on bills around the San Francisco
Bay Area for years, but never hearing or seeing
the band itself, we are completely surprised by
the The Morning Benders after
actually taking in their music. With a name like
that, we are immediately thinking of hard-drinking,
stayin’ up all night on cocaine, seasoned,
if not pickled and preserved rocker dudes.
Oh no, my friend, this is not
at all the case.
The Morning Benders is, in fact
an incredibly youthful frolicking foursome from
Berkely, California who has some amazing ability
to create full, hooky, emotive, amazing music
for the quintessential indie rock fanatic. Just
listen to “Waiting for a War” once
and go ‘hmmm…’ Then listen to
it again and realize you will always love that
amazing song after just two brief listens. MORE
CSS - Playing Monolith -
Sept 13, Treasure Island Festival-
Sept 20
“We
didn’t come into the world to walk around.
We came here to take you out.” Thus boasts
(and toasts) Lovefoxxx, lead
singer of Cansei de Ser Sexy (aka CSS),
on “Yager Yoga” from their sophomore
release Donkey. This
is their first album released completely to the
Subpop imprint, which joined with Warner Brothers
to sponsor the domestic release of their self-titled
debut in 2006.
The Sao Paulo-based CSS originally
dropped Cansei de Ser Sexy on the edgy Brazilian
label Trama, but the group quickly became a hit
through the neo Internet-eats-music (r)evolution.
Like many other electro dance bands, tech met
tech as the SEXtuplet found a massive and ever-growing
following through Myspace, Wikipedia and other
online resources.MORE
The Kills - Playing Monolith
- Sept 13, Treasure Island Festival-
Sept 20
Sundance
Channel Presents: Live From Abby Road - Episode
9 Premieres Thursday, August 14 – The Kills,
The Fratellis, Sara Bareilles
It’s times like this when
I miss cable, something I got rid of a few years
ago. I figured I would put that money away to
travel myself instead of sitting at home watching
someone else have all the adventures. But yes,
I do miss that damn Travel Channel, the Food Network,
Comedy Central, IFC, and one of my “favorites”
from those 200+ channel days, the Sundance
Channel.
This summer Sundance has an adventurous
series of a musical kind called "Live
From Abbey Road," which takes place
in the most famous of all recording studios, bar
none. Within this intimate setting, artists perform
and open up about themselves and their music.
Some very noteworthy artists that have appeared
include Elbow, MGMT, Stereophonics, The
Black Keys, Manu Chao, Hard-Fi, Suzanne Vega...and
some you may not be sorry you missed (Rascal Flats,
Matchbox Twenty, James Blunt).MORE
Port O'Brien - Playing Monolith
- Sept 13, Treasure Island Festival - Sept 21
San Francisco Bay Area indie-folk-rock
quintuplet Port O’Brien
released their sophomoric LP, All
We Could Do Was Sing this past May,
and since than the band has spent a great deal
of time on the road, touring with Bright Eyes,
Modest Mouse and Rogue Wave. (We first discovered
them while covering of their opening spot with
Rogue Wave at Bimbo’s in San Francisco.)
These have been very appropriate
bill-mates, as Port O’Brien has combined
elements of all of the aforementioned groups in
their offering: the emotional, romantic and family-oriented
aspects of Conor Oberst (Bright Eyes), the modern
Americana topics of Zach Rogue (Rogue Wave) and
the tendency to “go big” as Modest
Mouse does with arrays of instruments and throngs
of extra singers. MORE
Tokyo Police Club - Playing
Monolith - Sept 14, Treasure Island Festival - Sept
21
Tokyo Police Club
has been getting chatted up since their inception
in 2005 without blowing up, which is odd in this
readymade and ready-to-be-exploited era of indie
pop. Rather, up to now, TPC have been on a slow-burn
path toward a lasting musical career by amassing
a solid underground following. But with their
debut Elephant Shell
now out on Saddle Creek Records, and an impending
tour with Weezer and Angels and Airwaves this
fall, the foursome seems poised to start making
a bigger wave. MORE
photo: Kane Skenner
The Presets - Playing Monolith
- Sept 13, 9:10pm
My
stupidity convinced me that it would be a good
idea to go to a slip-n-slide party and do some
heavy drinking the night before I was to interview
Kim Moyes from The Presets. But I did wake up
at 8am the following morning, ready to receive
a phone call from The Preset’s manager.
Sore, tired, and maybe a still a little bit drunk,
I stumbled around my room to find my voice recorder
and then stumbled some more trying to find the
speaker-phone function on my cell.
If you’ve never woken up
to an Australian accent in your ear, I highly
recommend it. All of my aches and pains seemed
to disappear for the duration of the phone call
as I was enamored and swooning at Moyes’
lush accent and willingness to participate.
Kaffeine Buzz: Sorry if I’m a little
slow, it’s 8am here, I should be up, but
I’m just lazy. Where are you guys calling
from?
Kim Moyes: We’re in London
right now. It’s 3pm here. Where are you?
MORE
Does It Offend You, Yeah?
- Interview - Playing Monolith Sunday, Sept 14 at
7:10PM
First off,
the name: Does It Offend You, Yeah?
It’s always slightly uncomfortable to utter
it to people who haven’t heard of them,
because you know exact what reaction you’re
going to get. All you can do is shrug and reassure
them, “Just trust me; they’re good.”
Here’s the skinny: In the
early days, the group was much slimmer, consisting
only of Dan Coop (synths) and
James Rushent (bass, vocals).
They were contemplating a name simply so that
they could put their music online. They decided
to switch on the television and use the first
line they heard. It was the British version of
The Office, and Ricky Gervaise (playing David
Brent) said, “Does it offend you, yeah?
My drinking?” And there you have it.
As quirky as their name is, taking
in one show or giving a single listen to their
debut LP, You Have No Idea What You're
Getting Yourself Into will prove
that the stylistically indefinable Reading, England
group is breaking new ground, both musically and
in their following.
DIOYY has been spending a great
deal of time on this side of the pond. Kaffeine
Buzz met up with the group at Austin’s South
by Southwest festival this past spring, again
in Denver at the Bluebird earlier in the summer,
and tonight we sit down with the lads at San Francisco’s
Fillmore, where they are opening for Bloc Party.
MORE
The Lowdown (Aug. 8,
08) -- We’ve all seen the flurry
of music festivals popping up over the last five
or so years, including the resurrection of Lollapalooza
and it’s revamped program that restricts the
event to their Chicago home base, the shift of jam
band heavy Banaroo to indie/alternative rock superstars
like Sigur Ros, Death Cab and Radiohead taking over
the stages, and the emergence of Capitol Hill Block
Party in Seattle, which has begin to overshadow
its predecessor, Bumbershoot.
But none can say they take place in the historic
and world-renowned Red Rocks amphitheater. And
as with the innagural Monolith
Festival in 2007, the two-day event
will again take place in this magestic and magical
place September 13 and 14. MORE
The Chain Gang of 1974 -
Sunday - 1:30PM
If
you want to do something right, do it yourself.
Or do it by yourself. Listening one of the new
tracks “Let’s Make It Tonight”
from the new EP When the Apple Drops,
by The Chain Gang of 1974, you
could easily picture at least three dashing men,
whipping up potent electro cocktails on stage
– singer, bassist, and keyboardist. But
alas, Kamtin Mohager it is the lone gang of one,
and he’s one hard working dude.
This solo act has more punch than
a high school dance, whipping kids into a moshing
frenzy with legs, heads and arms wave at a frenetic
pace to match the music emanating from the stage.
Mohager will keep things rolling after his CD
release party tonight at LIFESpot, heading down
to the Springs to The Element, performing with
The Wake Up, Of The Wolves, and Quote The Raven.
In line with his track “New
York Dressed Girl,” Chain Gang will hit
up The Knitting Factory in NYC after he performs
with the load-o-fun dirty-boy, hip-hop act, 3OH3!
Stay tuned to this local talent: www.myspace.com/thechaingangof1974.
Having
missed the CD release party for Astramoveo,
one of Denver’s latest acts to emerge from
the confines of four walls, I was excited to get
my hands on the band’s new E.P. (thank you
Jason Roth).
Like most handmade E.P. art pieces,
it was numbered—so I was to have in my possession
number 44 of 300. It is the size of your average
novel, made of a light sandstone, thin cardboard
material and a blood red imprint of the band’s
brand, picture, member (Tyler Hayden,
Christophe Eagleton, James
Cromwelll Holden (the III?) and song
listings, cleaning laid out by MATTER.
Much love was also sent out to
Mark Clevenger and two studios
were listed as the spots were the magic and music
took place—The Mortuary Mansion (this sounds
like a haunt Disney himself would have drummed
up…but it is rumored to be the abode of
Mr. Holden) and New Japan Studios.
New
York loves this boy. So do I, and so should you.
Joshua Novak
is a Denver native who creates intense and awesome
singer-songwriter material comparable to the emergent
New York solo artist scene that holds claim to
such burgeoning acts as Devendra Banhart and Kimya
Dawson.
During an evening discussion with
a Twin Beaks Shiraz and a Luis Bernard Cotes Du
Rhone at the Paris Wine Bar, Joshua told me that
he doesn’t care to be lumped into the singer-songwriter
category.
“I write music and lyrics,
but everybody brings something to it.” He
says in reference to bassist Giovanni Toninelo,
drummer Arbon Reimer and sometimes the electronically
proficient Gann Mathews.
Joshua also doesn’t care
to take flight to a city where his sort of career
is so established that one could search for openings
on Craigslist. He would rather contribute to the
local music scene.