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Minneapolis has always cranked out impressive music
on the side-lines of pop and rock, from the Replacements
and Husker Du, to Babes in Toyland and Soul Asylum,
to Lifter Puller, to...
In the latest development grabbing (inter)national attention, it’s rock’s
turn to ride again (in the path of Atmosphere
and other Rhymesayer’s hip-hop successes)
with the arty, indie rock that has cropped up
over the last several years, ala Kill Sadie, the
Selby Tigers, and in particular, The Plastic
Constellations.
TPC are a four-piece who originated in 1996 (at
half the size); and on what’s merely their
third album, Crusades,
they pack a hell of an energetic wallop.
The group rotates vocal responsibilities among
Jeff Allen and Aaron
Mader, who also jockey the guitars. Allen
is the straight-forward, all-powerful ‘Jim
Ward’, and Mader the experimentalist ‘Cedric
Bixler’ in this lyrically proverbial At
The Drive-In. Add the drum work of Matt
Scharenbroich and Jordan Roske’s
bass, and musically you have a dynamic group that
is appropriately home on their French Kiss imprint.
Their label also boasts Les Savy Fav, Thunderbirds
Are Now and The Hold Steady (incidentally containing
members of the aforementioned Lifter Puller).
TPC tends to sound like a sibling to all of these,
while also having a Jawbox-like intensity, and
yes, some ATDI qualities as well.
Stand-alone, Crusades is an end-to-end
intriguing and intense record. While occasionally
derivative, it is never boring. A few tracks—particularly
those that have Allen dominating vocally—get
a bit unexpectedly emo; but nothing that detracts
enough to keep you from loving this.
www.frenchkissrecords.com
-Jef Hoskins, April 18, 2006
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